We are excited to announce the release of our latest ebook, Hudson Henry’s Panoramas Made Simple. Hudson has a deep passion for panoramic photography, a legacy that goes back to the days of film, when he worked to translate his vision of the landscape in front of him into large digital print. Since then, Hudson has become a master of the panorama, and in this book, he shows you how easy it is to ditch your camera’s ‘auto’ mode and create stunningly beautiful panoramas that capture the grandeur of our world—and without needing to buy special pano gear: Read more »
|If you’re interested in landscape photography, then you might want to check out my new Photoshop CS5 for Landscape Photographers course at Lynda.com. This six-and-a-half hour video training course takes you from shooting through post-production, with thorough discussions of all of the landscape-related technical and aesthetic issues that you’ll face along the way. For more info, take a look at the preview, after the jump.|
One of the most common mistakes I see in photo classes is that students don’t shoot enough. I don’t mean that they don’t spend enough hours out taking pictures, I mean that when they see a potential subject they don’t shoot enough frames of it. Many people have the mistaken idea that a good photographer walks into a situation, sees their subject, determines how best to shoot it, takes the final shot, and then goes home to wait for that image to appear on the cover of a magazine. Alas, this isn’t true. To get good results, you have to shoot a lot of frames of your subject. This process of working your subject can be a difficult one for some people to learn, but here’s an example of what I’m talking about.