Maria Svarbova’s In the Swimming Pool series is one of the most unique and beautiful photo projects I’ve seen in a while. Her mastery of light and color—reminiscent of Agfa’s classic slide films to me—and her attention to the pools’ symmetry and the swimmers’ forms make for stunning and captivating photos.
Understanding white balance is an essential part of getting consistently good color. And while the auto white balance features on today’s cameras are very good, there will still be times when you need to take more control, and override your camera’s automatic white balance mechanism. This article walks you through the basics of white balance, to help you get better color in more situations.
||Reader Graham Long (no relation) sends in an image that he titled “An Almost Quite Good Photo.” As he describes it: “the shot was taken at Granville Island in Vancouver. My wife took the kids for a bite to eat and I rattled off more than 250 ill-considered shots in about 15 minutes.” Graham’s experience shows the merit of heavy shooting, as his blitzkrieg approach delivered an image that truly is almost quite good. However, there are just one or two issues that keep it from being a an outright quite good photo, and in this Before and After we’re going to discuss what those issues are, and explore some ways that you can fix them in an image editor.|
With Photoshop CS2, Adobe added the Match Color feature which lets you alter the palette of one image to look like another. Match Color can be used for everything from slight tonal corrections, to ensuring that an image fits better with a design scheme or other imge. unfocusedbrain.com, a "blog with everything" has an excellent demo of how you can use Match Color in conjunction with famous classical paintings to perform dramatic color adjustments. Check it out here.