I’m a professional photographer, a creative retoucher, a dedicated educator and a life-long artist. I was lucky enough to be raised in an artistic household, with a father who loved photography and a mother who loved quilting. They both taught me to always try new things and to never let fear stop me from living. Their lessons have carried on with me and seep into every part of my life: I’ve never thought of myself as just a photographer. And I think that’s my biggest asset. I’ve tried everything from paper making to screen printing to oil painting, and I am constantly searching for new ways to express myself. Read more »
This blog has been published in various forms since 2001. Ben started with hand-crafted HTML before moving on to the WordPress platform in 2004 (or thereabouts—our memories are hazy on these points), and I (Rick) have helped out here and there at various times over the years—and over on our dear, departed sister site, Printerville.
[If you’re interested, you can see the first version of the site over on the Wayback Machine, as well as some choice variations along the way. Be kind, please.]
Since the beginning, this website’s primary focus has been to support the various editions of Complete Digital Photography with example files and extra content, and that’s been our only constant since this site went live. The support page for the current 8th edition of the book is here; and you can still access the the 7th edition’s support page here.
Yesterday I mounted the Ricoh Theta on my motorcycle’s handlebars and went for a spin with a friend. The Theta software has a built-in Tiny Planets feature that is very fun. Sadly, it only outputs a final product that’s 640 pixels wide, but given that it’s a 2-button solution to create this effect, I’m still impressed! Read more »
Very often, good photos are the result of a photographer being able to recognize the potential in a scene, and very often that potential is one based around manipulating tone. Learning to develop an eye for tone will not only allow you to get better shots, it will open up a realm of subject matter that you may not normally recognize. For example, consider this shot:
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|The seventh, and latest, edition of this site’s namesake book is now available. The newest version of Complete Digital Photography features full updating for Photoshop CS6, the latest version of Camera Raw, and new sections on composition, low light shooting, printing, and workflow. For the most part, the book maintains the organization of the last edition, with a few new sections and a few others eliminated. In addition to the included step-by-step post-production tutorials included in the book, many additional tutorials are included on the companion web pages. Order your copy now!
|As amazing as current digital camera technology is, it can’t compare with those two squishy orbs in the front of your head. In addition to great autofocus, exceptional white balance, and amazing low light capabilities, your eyes also have tremendous dynamic range (that is, an ability to perceive an extremely wide range of dark to light). In fact, your eyes probably have almost twice the dynamic range as the digital camera you’re currently using.|
Unlike film photographers, most of whom would never have considered carrying a darkroom with them, (though there are some that do) as digital shooters we expect to have a little post-production capability in the field, if for no other reason than to offload media. While I normally travel with a Macbook Air, or a netbook Hackintosh, for this trip, I decided to try to make due with only an iPad, for a few different reasons.
The whole story of what I did, and how it worked is detailed right here.
In an effort to make the world less colorful, I recently produced a course on black and white photography for Lynda.com. That course is now live and, thanks to the incredibly talented Lynda.com crew, it looks great! They did a fantastic job of crafting evocative noirish sets using only light and shadow, all of which serve to reinforce the fundamental vocabulary of black and white shooting. Covering shooting, post-production, aesthetics, and how to “see” black and white images, the course is available for immediate viewing here.
Many of the creative options available to a photographer hinge on an in-depth understanding of lenses. Foundations of Photography: Lenses, will give you that in-depth understanding, as you learn how to choose lenses and take full advantage of their creative options. This 2.5 hour course covers fundamental concepts that apply to any camera, such as focal length and camera position, and shows how to evaluate and shop for DSLR lenses. The second half of the course focuses on shooting techniques: controlling autofocus, working with different focal lengths, and managing distortion and flare. You’ll also learn about filters, cleaning, maintenance, and more. You can find it all right here on the Lynda.com web site.
If you’re new to photography, or have been shooting for a while but still don’t feel comfortable with the fundamental theories of exposure, then you’ll want to check out my new Lynda.com course Foundations of Photography: Exposure. This three-and-a-half hour video training course works you through every fundamental aspect of exposure theory. You’ll learn what the exposure controls on your camera are for, and how to use them. In addition to learning how exposure control can help you solve problems, you’ll learn how to use exposure control to expand your creative palette. Shot on location in Southern California, this all “live-action” course was a lot of fun to make, (especially when the horses and mules got involved) and should get you a deep understanding of some of the fundamental concepts that you have to know to move beyond the auto modes on your camera.