I have been fascinated with the furor that has whipped up many photographers about the release of Lightroom CC and Lightroom Classic. As I noted previously, I totally get the idea that people are getting weary of ‘subscribing’ for software, even if that’s really what we have all been doing for years. My friend Jeff Carlson is doing a good job of talking about this issue, and today has an interesting piece called Math is Hard, or, A Quick Look at Lightroom Pricing. In it, Jeff talks about the cost of purchasing and upgrading a product like PhaseOne’s Capture One Pro vs. the costs of using Lightroom (in either incarnation).
Jeff is spot-on in his analysis: if you are someone who is serious about your photography, and you want to remain current with the latest in features and performance, Adobe’s $120 per year for Lightroom (both versions) and Photoshop is a good deal. It is made better by the fact that Lightroom really is the best product for most photographers in the market, but if you don’t like Lightroom/Photoshop, or are upset about Adobe’s policies, there are many alternatives in the market for you to use. Read more »
After finishing up a ten-day job last week I came to Oklahoma to visit my parents. Tired from the previous week-and-a-half of shooting, and not wanting to think any more about images, I spent a couple of days ignoring my camera. But, with each day bringing nice afternoon light, I quickly began to worry about falling out of practice. I didn’t feel up to getting out for any kind of big shooting expedition and didn’t have any need for particular kinds of images so I decided that simply doing some exercises was all I needed. It’s often difficult to have a fresh eye in a well-known environment, so goal-driven, exercise-oriented shooting can often get you capturing frames in places where you normally feel there’s nothing to shoot.
Read on for more details about the exercise that I tasked myself with.
Ow. I’ve been having a lot of pain in my left shoulder lately. It might just be age, but I can’t help thinking that all these years of carrying a camera bag on that shoulder have left me messed up. The years of having a pound of bird riding on that shoulder probably didn’t help either.
October 21, 2014 by Ben Long & filed under Features
This site has been running off of WordPress for years – since way back at WordPress version 1 – and hasn’t had a re-design since WordPress 2 was released. Recently, I encountered Squarespace while helping a friend put a site together. I was very impressed by Squarespace’s ease-of-use, beautiful designs and thorough feature set. Seeing Squarespace also made me realize that my own site was looking very dated, so I decided it was time to bring completedigitalphotography.com into the modern web era. This posed an immediate quandary: should I stick with WordPress or migrate to Squarespace? Which, I wondered, was best for a photo site?
September 20, 2013 by Ben Long & filed under Features
On The Practicing Photographer this week, I talk to fashion photographer Troy Word about his use of Polaroid. Along the way, he brings us up-to-date on where the current state of Polaroid is, how you can easily get into Polaroid gear, how to mix it with digital, and what you can expect to spend along the way. Most importantly, he speaks to how it can change the way your photographic eye works. You can watch it right here.
September 19, 2013 by Ben Long & filed under Features
This summer, for some reason, a friend and I drove a tiny Fiat Panda from London to Mongolia. Though I have a 13″ MacBook Air, I decided to take my iPad with me on the trip instead of a “real” computer. I also took a good amount of photography gear, which meant that the iPad had to support a fairly full photo workflow. This article details how I made it work, and what I found I could and couldn’t do. The good news is that, if you manage your expectations, and grab the right apps, you can run an effective post-production workflow directly from your iPad.
In my Lynda.com Macro and Close-up course, I cover the simple basics of reversing the lens you already have to turn it into a macro lens. This gives you an extremely easy way to start shooting macro, without having to invest in any special gear. If you give this technique a try, and find it useful, then you’ll want to watch my Lens-Reversal Macro Photography course which goes into more detail of how to get good macro results when shooting with a reversed lens. You’ll see how to re-gain aperture control, how to mount your lens to your camera backward, and how to stack multiple lenses to get even more macro power. Check it out now!Foundations of Photography: Macro and Close-up
There are a lot of small things in the world, and many of them make great photographic subjects, provided you know how to shoot at a macro scale with your camera. In this course, you’ll see all the basics of macro shooting. If you don’t have a macro lens, don’t worry, because the course starts with instructions on how to shoot macro shots with gear you already have. From there, we work up through extension tubes, add-on lenses, and finally to full-on macro lenses. Focus, metering, composition, and basic lighting are all covered. If you’re interested in macro or close-up photography, you’ll want to check out Foundations of Photography: Macro and Close-up.
January 9, 2013 by Ben Long & filed under Features
Mostly, good photography is about the skill of the photographer. That said, a lot of photographs are only possible with the right type of lens, and there are a lot of lenses out there tailored to very specific types of shooting. In this new course, I go into detail on how to shoot with ultra-wide-angle lenses, super telephotos, fisheyes, Tilt/Shift, and more. If you’ve been wondering if any of these types of lenses are right for you, or you’ve already got one and want to know more about what it can do, then you’ll want to check out my Lynda.com course Foundations of Photography: Specialty Lenses.
I’m currently deep in the process of preparing a macro shooting course for Lynda.com As anyone who’s ever dabbled in macro knows, as you get closer, your depth of field gets more shallow. Sometimes unusably shallow. However, there are things you can do to get much deeper depth of field.