Many of the creative options available to a photographer hinge on an in-depth understanding of lenses. Foundations of Photography: Lenses, will give you that in-depth understanding, as you learn how to choose lenses and take full advantage of their creative options. This 2.5 hour course covers fundamental concepts that apply to any camera, such as focal length and camera position, and shows how to evaluate and shop for DSLR lenses. The second half of the course focuses on shooting techniques: controlling autofocus, working with different focal lengths, and managing distortion and flare. You’ll also learn about filters, cleaning, maintenance, and more. You can find it all right here on the Lynda.com web site.
The last step of any photo workflow is to sharpen and output. If your final goal is an image for the web or email, then output simply means resizing and saving your image. If your final output is to print using an online printing service, then you’ll need to follow their size, resolution, and format specifications very carefully. Similarly, if your final destination is your own desktop printer, you’ll also need to set size and resolution before you print. While choosing size is pretty simple – you just resize the image to the printing dimensions that you want – choosing a correct resolution is a little trickier. In this article, we look at exactly what you need to consider when choosing a resolution for desktop inkjet printing.
If you’re new to photography, or have been shooting for a while but still don’t feel comfortable with the fundamental theories of exposure, then you’ll want to check out my new Lynda.com course Foundations of Photography: Exposure. This three-and-a-half hour video training course works you through every fundamental aspect of exposure theory. You’ll learn what the exposure controls on your camera are for, and how to use them. In addition to learning how exposure control can help you solve problems, you’ll learn how to use exposure control to expand your creative palette. Shot on location in Southern California, this all “live-action” course was a lot of fun to make, (especially when the horses and mules got involved) and should get you a deep understanding of some of the fundamental concepts that you have to know to move beyond the auto modes on your camera.
I travel a lot, and when on the road I typically carry several cameras, a computer, my Kindle, all the associated chargers, cords, extra hard drives and other accoutrements necessary to move my digital world with me. If there’s any room left over, I also consider taking clothes and those other secondary items. Needless to say, my bag’s heavy, so I’m constantly looking for ways to lighten it. For the past couple of years I’ve been carrying a 13″ Macbook, which has been a great computer, and fully capable of everything I need for months-long excursions. But it was very difficult not to note the new 13″ Macbook Air upon its release. More specifically, to note that it weighs 1.5 pounds less than my 13″ Macbook. What wasn’t obvious was whether it was enough computer to handle a digital photo workflow. So I bought one. Here’s how it stacks up. Read more »
||My friend, photographer Paul Taggart has been on assignment in Iceland, shooting the historic annual round-up of horses. Each year, traditional herdsmen round up thousands of highland horses for the winter. Paul and photographer Lindsay Blatt have spent the last few weeks, living with the herdsmen and following them across the Icelandic landscape. You can see some of the fruits of their labor at the Herd In Iceland site. (You can also follow the project on Facebook and Twitter.)|
I love my Canon EOS 5D Mark II. I’ve been shooting with Canon digital SLRs since the breakthrough EOS D30 in 1990. Along the way, I’ve shot with lots of other digital SLRs, and a huge assortment of point-and-shoot cameras. Point-and-shoots have always been frustrating due to their lack of flexibility and mediocre quality, so I’ve always loved having a quality SLR to fall back on. But, to be honest, the 5D ain’t light. Especially if you want to carry some extra lenses. Micro Four Thirds cameras are a perfect in-between, offering great quality and the flexibility of an SLR, but with weight that’s closer to a point-and-shoot than to my 5D. If you’re new to the Micro Four Thirds spec, and what it means, then this overview will get you up to speed quickly.
||Photoshop’s a great image editor, and all, but you need a lot of money to get it. If you’re a Mac-based photographer who’s been looking for a more affordable alternative, and iPhoto is not for you, then you might want to consider Pixelmator, an incredibly speedy Photoshop alternative that offers a fair amount of power at a reasonable price. Read the full review here.|