In my last post, about the person who wanted to “take better pictures,” I mentioned Beaumont Newhall’s classic book, The History of Photography: From 1839 to Present, and Edward Steichen’s The Family of Man, as two books that influenced me heavily when I was younger. While I love monographs of individual photographers, histories of photography fascinate and and delight me, and I thought it might be worthwhile to mention a few more that I have loved over the years; most of these have found their way into my permanent library. Read more »
From the Blog
I had an interesting conversation with someone the other day, one that I felt was worth recounting here. I was at a bookstore, perusing photography books for possible review here on the website. (I don’t buy many printed books these days, but the ones that I do buy are almost entirely art or photography-related.)
It was clearly a very slow day at the bookstore, and while I was at the register, the checkout dude murmured something like, “these look interesting…I’d really like to take better pictures.”
We had a short conversation about whether these books might help, and he then asked me if I was a photographer. I told him yes, but that I was really more of an editorial guy who published a website about photography.
Without missing a beat, he said, “I really need a better camera. Which one should I buy?”
To which I replied, “Which phone do you have?”
While color photography has been with us in one form or another since the early 1900s, black and white remains for many of us as the pinnacle of the photographic arts. Capturing a scene properly in black and white is challenging, but when it is successful, the results have a beauty and a clarity that can be breathtaking. Most of the truly great photographers of the twentieth century—at least through the 1960s—shot solely with black-and-white film, despite the rapid rise of color slide film in the late ’40s and ’50s, and the wide-scale adoption of color print film after that.
The digital camera and the smartphone have largely relegated black-and-white photography as an afterthought—often via the click of a filter in Instagram or Lightroom—and I have long felt that this is one of the sad consequences of our modern world. I see plenty of black-and-white photos across the web, but so many of them are simply snapshots with the absence of color, and they lack the gravitas of great work.
Learning to see in black and white, and how to expose and compose for the gray tones is an art that requires study, experimentation and care, and it’s rare to see contemporary photographers who focus exclusively in this world. One who does, and has stunningly beautiful work, is Jason M. Peterson.
I’ve always believed that Photoshop Elements is the best-kept secret that Adobe has hiding in their arsenal. If you haven’t played around with it, I think you’ll be shocked by its features: it boasts everything from advanced selections with the Refine Edge feature to simplified Guided Edits that keep your processing streamlined. Every time I chat with another photographer about software, they never can believe how much DNA Photoshop and Photoshop Elements share.
Every year, when Adobe introduces their new version of Elements, they always toss in a few fun, fresh features to keep PSE-loyalists happy. This year, I can’t believe how excited I am about two of their new Guided Edit styles: the Double Exposure creator and the Background Changer. These two photo editing methods are incredibly popular, but also tedious and can drive people crazy with making hand-drawn selections. Luckily, thanks to some quick steps, the process just got a whole lot easier!
True to its annual, autumnal form, Adobe today announced Photoshop Elements 2018, the latest version of the company’s image editing and organizational software for photographers, hobbyists, and, in Adobe’s parlance, “memory keepers.” As is the case with most of the yearly Elements updates, the new version doesn’t offer a ton of new features, but mostly adds new components to the Organizer and the Guided Edit modes in the product. (It also benefits from enhancements to the Photoshop engine found at the core of Elements.) Here are a few of the highlights in Elements 2018:
- The Organizer adds a few new features designed to help folks work through large photo collections, including an Auto-Curate feature that automatically selects your best photos based on composition, faces, and “quality.” Like most machine-based tools, it will be hit or miss, but I found it fairly good in its execution.
- The selection tools have been improved, making it much easier to create complex masks.
- An ‘Open Closed Eyes’ feature can automatically copy the open eyes from one portrait and blend them seamlessly into a second one.
- New Guided Edit options, including background replacement, double exposure creation, and a number of additional artistic effects.
- Additional (and improved) options in the project creation module, including more powerful slideshows, expanded print-at-home projects, and more.
More from the Blog
- Photo Critique workshop with Ben Nov. 12
- Conrad & Conlon: old-school baseball portraits
- Meet Liz, one of the voices behind the blog
- In the Swimming Pool, by Maria Svarbova
- Welcome to the new Complete Digital Photography
Search the Blog
Coming Soon! Hudson Henry’s Panoramas Made Simple, a guide to creating compelling panoramas with the equipment you have—even with your smartphone.
The original, best-selling guide to all things digital, Complete Digital Photography gives you everything you'll need to know in order to create great digital photos, from choosing a camera, to getting the best shot, to post-processing.
Introduction to Outdoor Portrait Photography, by Liz LePage. Portraiture shouldn’t be fear-inducing; this ebook gives you a toolkit to help capture brilliant portraits with minimal stress.
Coming soon! Lightroom Mobile Complete, by Ben Long. An in-depth guide that shows you the best ways to manage your digital photo library with Lightroom and Lightroom Mobile on your desktop and with your mobile devices.