If you’ve ever tried to print a digital photo, then you know that an image that looks good on-screen won’t necessarily look good on paper. In this three-day, intensive workshop, you’ll learn how to get great-looking prints from an inkjet photo printer. Through lecture, demonstration, and lots of hands-on work, Ben Long will guide you through the process of editing your images for print. In addition, you’ll learn about configuring printer drivers, using color management tools, and choosing a printer and paper. Most importantly, you’ll begin the process of developing an eye for image analysis and print aesthetics. Though this isn’t a shooting class, you’ll have some time for shooting in beautiful San Francisco, and we’ll devote a little class time to image evaluation and group critique. If you’re unsatisfied with the quality of your digital prints, and frustrated by how much paper and ink you consume to get a good print, then this is the workshop for you.
From the Blog
We are excited to announce the release of our latest ebook, Hudson Henry’s Panoramas Made Simple. Hudson has a deep passion for panoramic photography, a legacy that goes back to the days of film, when he worked to translate his vision of the landscape in front of him into large digital print. Since then, Hudson has become a master of the panorama, and in this book, he shows you how easy it is to ditch your camera’s ‘auto’ mode and create stunningly beautiful panoramas that capture the grandeur of our world—and without needing to buy special pano gear: Read more »
The Photoshop Automator Action Pack has been updated for Photoshop CC 2018, and you can buy the latest version at RobotPhotoshop.com. This is a collection of Automator Actions that allow you to drive Photoshop from Apple’s Automator on Mac OS X. If you’ve never used Automator before, it provides a simple, drag and drop mechanism for creating complex automated workflows. Of course, Photoshop has its own Actions built-in actions facility, but Automator lets you build automations that include other applications, in addition to Photoshop. What’s more, with the Photoshop Automator Action Pack you can build workflows that include branching logic – different operations can be applied to different images based on their size, orientation, bit depth and more. If you’d like to experiment with Automator, a free version of the Photoshop Automator Action Pack is also available at RobotPhotoshop.com along with lots of tutorial videos.
With the holidays fast approaching—I stepped into a Target last week and their Christmas displays were already up!—it’s time for family visits and hours of travel. One of the top items that people pack when they head out on vacation is their camera. We want to capture all our moments: when the family gets together on Thanksgiving day, when the colors explode at sunset over the ocean and that hilarious split-second a seagull steals your kid’s ice cream cone.
Many photographers struggle to figure out which camera and lens to pack, but I was curious about whether I should pack one at all. As I take photos of all those beautiful moments I want to remember, does taking them actually help my memory? By recording the best sunrises and most delicious dinners, will I have a better recollection of all the moments I want to save?
Earlier this year, I found an amazing article by Jenny Chen on New York Magazine’s Science of Us blog entitled How Taking Photos Affects Your Memory of the Moment Later On. It’s a short look into the world of how we build memories in the digital age, with evidence on both sides of the fence. While many of the studies Chen cited promoted the idea that there’s little difference to your memory if you take photos or not, I’m definitely a firm believe in one key point; we need to spend less time with our eyes behind our phone screens and more time enjoying the view.
I have been fascinated with the furor that has whipped up many photographers about the release of Lightroom CC and Lightroom Classic. As I noted previously, I totally get the idea that people are getting weary of ‘subscribing’ for software, even if that’s really what we have all been doing for years. My friend Jeff Carlson is doing a good job of talking about this issue, and today has an interesting piece called Math is Hard, or, A Quick Look at Lightroom Pricing. In it, Jeff talks about the cost of purchasing and upgrading a product like PhaseOne’s Capture One Pro vs. the costs of using Lightroom (in either incarnation).
Jeff is spot-on in his analysis: if you are someone who is serious about your photography, and you want to remain current with the latest in features and performance, Adobe’s $120 per year for Lightroom (both versions) and Photoshop is a good deal. It is made better by the fact that Lightroom really is the best product for most photographers in the market, but if you don’t like Lightroom/Photoshop, or are upset about Adobe’s policies, there are many alternatives in the market for you to use. Read more »
More from the Blog
- Thoughts on the Lightroom announcements
- Jeff Carlson (and others) on the “new” Lightroom
- Overviews of Photographic History
- Taking “Better Pictures” Doesn’t Mean a New Camera
- The Black-and-White Photo Mastery of Jason M. Peterson
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NOW AVAILABLE: Hudson Henry’s Panoramas Made Simple, a guide to creating compelling panoramas with the equipment you have—even with your smartphone.
The original, best-selling guide to all things digital, Complete Digital Photography gives you everything you'll need to know in order to create great digital photos, from choosing a camera, to getting the best shot, to post-processing.
Introduction to Outdoor Portrait Photography, by Liz LePage. This ebook gives you a toolkit to help capture brilliant portraits with minimal stress.
Coming soon! Lightroom Mobile Complete, by Ben Long. An in-depth guide that shows you the best ways to manage your digital photo library with Lightroom and Lightroom Mobile on your desktop and with your mobile devices.