Now Available: Lynda training for the Nikon D800 and Canon 5D Mark III

November 9, 2012 by · 8 Comments
Filed under: Features 

If you’re the lucky own of a Nikon D800 or Canon EOS 5D Mark III, and you’d like to know more about how to use either camera, then you’ll want to check out my two latest Lynda.com courses. Both classes walk you through all the critical features and operations of each camera, and are designed to work in concert with my Foundations of Photography series. Note that the 5D Mark III class is also ideally suited for users of the 5D Mark II. Click here if you’re a 5D user or click here if you’re a D800 user.

Florence, 2009 – Tuscan Digital Photo Workshop

October 20, 2009 by · 5 Comments
Filed under: Galleries 

In August I had the great good fortune to spend the month in Florence, teaching a three-week photo workshop to eight delightful students. Held at the Santa Reparata International School of the Arts, this workshop was held alongside a number of other workshops including book arts, Solarplate printing, painting, and more. With the extended class time, we were able to cover a lot of ground, and with Florence and the surrounding country just outside the door we had plenty of shooting opportunities.

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Pigeons

March 14, 2008 by · 2 Comments
Filed under: Before & After 

Reader Graham Long (no relation) sends in an image that he titled "An Almost Quite Good Photo." As he describes it: "the shot was taken at Granville Island in Vancouver. My wife took the kids for a bite to eat and I rattled off more than 250 ill-considered shots in about 15 minutes." Graham’s experience shows the merit of heavy shooting, as his blitzkrieg approach delivered an image that truly is almost quite good. However, there are just one or two issues that keep it from being a an outright quite good photo, and in this Before and After we’re going to discuss what those issues are, and explore some ways that you can fix them in an image editor.

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Lit Building

July 8, 2006 by · 3 Comments
Filed under: Before & After 

Learning to spot a potential photograph is one of the most difficult parts of becoming a better photographer. Complicating the process is the fact that the photograph you take is often not a finished product, but simply the raw material that you’ll use to construct a final image. Very often, the world will present you with scenes that are good potential photographs, not perfect finished images. Learning to recognize the potential image that exists in a scene is a function of experience, and an understanding of what is possible with your chosen camera and image processing tools.

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  • Nothing Else to Buy!



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    Everything you want and need to know about digital photo-
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  • Classes at Lynda.com



    Exposure

    Foundations of Photography
    by Ben Long.

    Three-and-a-half hours of comprehensive instruction in all things related to photographic exposure. If you can't tell your f-stop from a hole in the ground, then this is the course for you. From shooting modes to shutter speed, aperture, f-stop, focusing and more, this will get you through all those pesky exposure basics you've always meant to learn.




  • More To Read

    Learn to raw!




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    by Ben Long.

    Take advantage of your camera's raw mode to shoot better images. For Windows or Mac users of Photoshop CS3, CS4, and Photoshop Elements, this book teaches you everything you need to know about raw shooting.

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