Yesterday I mounted the Ricoh Theta on my motorcycle’s handlebars and went for a spin with a friend. The Theta software has a built-in Tiny Planets feature that is very fun. Sadly, it only outputs a final product that’s 640 pixels wide, but given that it’s a 2-button solution to create this effect, I’m still impressed!
Very often, good photos are the result of a photographer being able to recognize the potential in a scene, and very often that potential is one based around manipulating tone. Learning to develop an eye for tone will not only allow you to get better shots, it will open up a realm of subject matter that you may not normally recognize. For example, consider this shot:
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I’ve got a few workshops on the calendar, including a 5-day Alaska workshop, a 3-day San Francisco workshop and a really cool event in Florence. Check em out here and don’t hesitate to send any questions if you want to know more. These are gonna be great events!
After finishing up a ten-day job last week I came to Oklahoma to visit my parents. Tired from the previous week-and-a-half of shooting, and not wanting to think any more about images, I spent a couple of days ignoring my camera. But, with each day bringing nice afternoon light, I quickly began to worry about falling out of practice. I didn’t feel up to getting out for any kind of big shooting expedition and didn’t have any need for particular kinds of images so I decided that simply doing some exercises was all I needed. It’s often difficult to have a fresh eye in a well-known environment, so goal-driven, exercise-oriented shooting can often get you capturing frames in places where you normally feel there’s nothing to shoot.
Read on for more details about the exercise that I tasked myself with.
It can take a while to find a post-production workflow that suits your editing style and needs. You want something that provides the correction and retouching tools that you like along with selection and library management tools. These days you also might want geotagging, any number of different kinds of export features and the ability to integrate smoothly with other applications. But with the high volume that digital shooting allows, one of the most critical workflow features might be speed. And for that reason, OnOne Software’s Perfect Browse may be a must-have complement to your current workflow.
Ow. I’ve been having a lot of pain in my left shoulder lately. It might just be age, but I can’t help thinking that all these years of carrying a camera bag on that shoulder have left me messed up. The years of having a pound of bird riding on that shoulder probably didn’t help either.
This site has been running off of WordPress for years – since way back at WordPress version 1 – and hasn’t had a re-design since WordPress 2 was released. Recently, I encountered Squarespace while helping a friend put a site together. I was very impressed by Squarespace’s ease-of-use, beautiful designs and thorough feature set. Seeing Squarespace also made me realize that my own site was looking very dated, so I decided it was time to bring completedigitalphotography.com into the modern web era. This posed an immediate quandary: should I stick with WordPress or migrate to Squarespace? Which, I wondered, was best for a photo site?
This week on The Practicing Photographer: One approach to handling empty skies when shooting landscapes. While an empty sky might make your vacation more enjoyable it can be murder on your landscape photos. Here’s one approach to take when you an encounter a landscape with a boring blue sky above it.
Last February I took a trip to Morocco. It’s a wonderful country and I got to see a lot of it, but due to my short schedule I was unable to linger in the beautiful Atlas Mountains. Dividing the verdant middle of the country from the Sahara, the Atlas mountains contain a wonderful mix of landscapes, small villages, and farmland. You could easily spend days shooting throughout the range, but I had only a single day of driving through at a fast clip in a car. In an effort to make the best of it I spent the day shooting out the car window.
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The latest version of the Photoshop Automator Actions collection, version 5.0.7 is now compatible with Photoshop CC, in addition to CS4, CS5, CS5.5, and CS6. All users will want to upgrade, though, since the new version includes important bug fixes to file naming and the Edit IPTC Info action. Requires Snow Leopard, Lion, Mountain Lion or Mavericks. The update is available for free to current owners of the CS6, CS5, CS5.5, and CS4 packages. For new users, there’s still a free version, and a $20 pro option. Note that upgrades only work within Photoshop versions. So, if you have, say, the CS6 version and want the CC version, you’ll have to buy the CC version separately. (Yes, that’s a very messy sentence, but it’s late and I’m too tired to clean it up.) Check out the actions here, at our sister site.