We recently updated our Mac OS X-based Photoshop Automator Actions to Version 5.0.8, to include support for Photoshop CC 2017.
Built-in to most modern versions of Mac OS X (10.4 and later), Automator makes it simple to create sophisticated, complex automations. Out-of-the-box, Automator can’t control Adobe Photoshop, but with the addition of this Photoshop Automator Actions collection, you get everything necessary to drive Photoshop using Automator. Read more »
If you’re thinking that it’s time for you to to really learn Lightroom, Ben is teaching a Lightroom Deep Dive workshop in early October at the Oklahoma Arts Institute’s Quartz Mountain facility. It should be a great experience in a beautiful setting. Here’s a more detailed description of the workshop:
While “Photoshop” has become something of a generic term for image editing, these days, most digital post-production is centered around Lightroom. Offering all of the essential image editing power of Photoshop, Lightroom also provides all of the image management and cataloging features that you need to keep your ever-growing archive organized and searchable. In this intensive workshop we’ll go deep into the bowels of this product and explore how you should configure your system to get the most from Lightroom. Lightroom’s editing toolkit provides all of the essential controls you need to make sophisticated tone and color corrections and we’ll look at how to get the most from these controls. Along the way we’ll cover organization, backup and geotagging as well as how to merge Photoshop into your Lightroom workflow. Finally, we’ll go deep into Adobe’s latest addition to the Photoshop/Lightroom family and dive into Lightroom Mobile, which allows you to easily integrate your iOS and Android phone camera images into your regular workflow. Because you’ll need some imagery to work with, and because we’ll want to get out of the computer lab, we’ll be taking time to shoot in the surrounding towns and landscapes. There’s something in this class for anyone who uses Lightroom, regardless of your current skill level, and in this workshop we’ll have a lot of fun exploring those things.
The workshop starts Thursday, Oct. 5, and ends on Sunday, Oct. 8; pricing is $575 for Oklahoma residents, $975 for out-of-state residents, plus a $60 registration and studio fee. Discounts are available for certain Oklahoma educators and students, and there are a limited number of free scholarships for Oklahoma K-12 public school educators. See this page for more.
Join Ben Long in Chicago next month for a three-day workshop on composition and critique, sponsored by Juniper Workshops:
Through lecture, one-on-one instruction and shooting, we’ll discuss and explore many compositional ideas and examples before going out to try them on the streets. Afterwards we’ll cover some important post-production skills and practices as we select images for group analysis. Online photo sharing sites and forums can be a nice way to get feedback on your images but virtual feedback is a poor substitute for actual in-person group critique and we’ll conduct two of these during this workshop.
This is a great opportunity to learn with one of the best speakers and workshop leaders in the industry, and take your photography up a notch.
The workshop is priced at $700, and will be limited to 10 students.
For complete information, see “Weekend Photo Composition & Critique Workshop” on the Juniper Workshops website.
Yesterday I mounted the Ricoh Theta on my motorcycle’s handlebars and went for a spin with a friend. The Theta software has a built-in Tiny Planets feature that is very fun. Sadly, it only outputs a final product that’s 640 pixels wide, but given that it’s a 2-button solution to create this effect, I’m still impressed!
Tiny Planet Ride from Ben Long on Vimeo.
Very often, good photos are the result of a photographer being able to recognize the potential in a scene, and very often that potential is one based around manipulating tone. Learning to develop an eye for tone will not only allow you to get better shots, it will open up a realm of subject matter that you may not normally recognize. For example, consider this shot:
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I’ve got a few workshops on the calendar, including a 5-day Alaska workshop, a 3-day San Francisco workshop and a really cool event in Florence. Check em out here and don’t hesitate to send any questions if you want to know more. These are gonna be great events!
After finishing up a ten-day job last week I came to Oklahoma to visit my parents. Tired from the previous week-and-a-half of shooting, and not wanting to think any more about images, I spent a couple of days ignoring my camera. But, with each day bringing nice afternoon light, I quickly began to worry about falling out of practice. I didn’t feel up to getting out for any kind of big shooting expedition and didn’t have any need for particular kinds of images so I decided that simply doing some exercises was all I needed. It’s often difficult to have a fresh eye in a well-known environment, so goal-driven, exercise-oriented shooting can often get you capturing frames in places where you normally feel there’s nothing to shoot.
Read on for more details about the exercise that I tasked myself with.
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It can take a while to find a post-production workflow that suits your editing style and needs. You want something that provides the correction and retouching tools that you like along with selection and library management tools. These days you also might want geotagging, any number of different kinds of export features and the ability to integrate smoothly with other applications. But with the high volume that digital shooting allows, one of the most critical workflow features might be speed. And for that reason, OnOne Software’s Perfect Browse may be a must-have complement to your current workflow.
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Ow. I’ve been having a lot of pain in my left shoulder lately. It might just be age, but I can’t help thinking that all these years of carrying a camera bag on that shoulder have left me messed up. The years of having a pound of bird riding on that shoulder probably didn’t help either.
Years of camera bags and a shoulder-mounted bird have left me with a lot of shoulder pain. Hence the need for a lighter camera.
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This site has been running off of WordPress for years – since way back at WordPress version 1 – and hasn’t had a re-design since WordPress 2 was released. Recently, I encountered Squarespace while helping a friend put a site together. I was very impressed by Squarespace’s ease-of-use, beautiful designs and thorough feature set. Seeing Squarespace also made me realize that my own site was looking very dated, so I decided it was time to bring completedigitalphotography.com into the modern web era. This posed an immediate quandary: should I stick with WordPress or migrate to Squarespace? Which, I wondered, was best for a photo site?
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