Foundations of Photography: Night and Low Light

April 27, 2012 by
Filed under: Features 

Digital cameras offer tremendous convenience over their film counterparts, but one of the most dramatic changes opened up by digital imaging technology is the world that exists in low light. Whether you need to shoot an event in a dark auditorium, a landscape at night, or simply want to shoot in your house after the sun goes down, you need a particular skill set, and this Lynda.com course will give it to you. This four-hour course will walk you through all the details of preparation, shooting, and post-production for any kind of low-light or night shooting that you might be interested in. Watch it now right here!

Comments

2 Comments on Foundations of Photography: Night and Low Light

  1. Sonny Kavoian on Fri, 11th May 2012 11:46 am
  2. I really appreciate the technical merits of your courses. In this course there are two solutions I think you should of covered. One is white balance, and the other is flash pop up flash bounce cards.
    Steve Simon manually white balanced the scene. If you shoot a CBL lens, then apply the custom white balance, you will have a properly white balanced scene from the start:

    http://www.bhphotovideo.com/c/product/490088-REG/CBL_Lens_CLLECBL110MM_CBL_Color_Balance_Lens.html

    In regards to the pop-up flash, I concur that the direct flash is too harsh. In some instances the scene is simply too dark, and bouncing the flash will be ideal to a dark image that you can’t recover. Here is one solution worth mentioning:

    http://www.dembflashproducts.com/popup/

  3. John Foster on Tue, 8th Jan 2013 5:32 pm
  4. I saw your segment on low light photography – Fantastic. Learned a lot about photography in general, low light photographer in particular, but really got a lot of good information on photoshop processes in the last chapters. That was a real bonus and passed on my recommendation to my friends.

    I was amazed by the video work too but seriously enjoyed the lens bokeh in several video shots. If you don’t mind what lens was that?

    Best to you and keep up the good work. I’m going to view your work on black and white next.

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